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Cutler, Chris - Thomas Dimuzio - Fred Frith: Golden State   - 12" Vinyl LP -  Black Vinyl Cutler, Chris - Thomas Dimuzio - Fred Frith: Golden State - 12" Vinyl LP - Black Vinyl
Code:7777
Price: $20.00
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This is a Limited Edition of 1969 numbered copies, pressed into 180 gsm virgin vinyl and rather extravagantly packaged. The music was recorded in California in 1999 with guest Beth Custer (clarinet) on one track and carefully mastered by Tom Dimuzio in wide frequency, solid footprint, broad compass stereo. Though we waved goodbye to vinyl decades ago, we felt this release was made to be an LP - a CD just wouldn't be the same, sonically, visually or ontologically. And of course we took advantage of the exaggerated dimensions and physicality to make it a thing visually to savour. Off the groove, Dimuzio, Cutler, Frith and Custer do what they do and you get a ringside seat.

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Cutler, Chris - Thomas Dimuzio - Fred Frith: Golden State   - 12" Vinyl LP -  White Vinyl Cutler, Chris - Thomas Dimuzio - Fred Frith: Golden State - 12" Vinyl LP - White Vinyl
Code:7776
Price: $20.00
Quantity in Basket: none
This is a Limited Edition of 1969 numbered copies, pressed into 180 gsm virgin vinyl and rather extravagantly packaged. The music was recorded in California in 1999 with guest Beth Custer (clarinet) on one track and carefully mastered by Tom Dimuzio in wide frequency, solid footprint, broad compass stereo. Though we waved goodbye to vinyl decades ago, we felt this release was made to be an LP - a CD just wouldn't be the same, sonically, visually or ontologically. And of course we took advantage of the exaggerated dimensions and physicality to make it a thing visually to savour. Off the groove, Dimuzio, Cutler, Frith and Custer do what they do and you get a ringside seat.

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Cutler, Chris - Thomas Dimuzio - Fred Frith: Golden State   - 12" Vinyl LP - Gold Vinyl Cutler, Chris - Thomas Dimuzio - Fred Frith: Golden State - 12" Vinyl LP - Gold Vinyl
Code:7778
Price: $27.50
Quantity in Basket: none
This is a Limited Edition of 1969 numbered copies, pressed into 180 gsm virgin vinyl and rather extravagantly packaged. The music was recorded in California in 1999 with guest Beth Custer (clarinet) on one track and carefully mastered by Tom Dimuzio in wide frequency, solid footprint, broad compass stereo. Though we waved goodbye to vinyl decades ago, we felt this release was made to be an LP - a CD just wouldn't be the same, sonically, visually or ontologically. And of course we took advantage of the exaggerated dimensions and physicality to make it a thing visually to savour. Off the groove, Dimuzio, Cutler, Frith and Custer do what they do and you get a ringside seat.

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Cutler, Chris: There And Back Again Cutler, Chris: There And Back Again
Code:6909
Price: $15.95
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Like its companion 'Twice around the Earth (ReR CC2), 'There and Back Again' is derived from a selection of the 365 location recordings made for Cutler's daily Resonance FM radio programme 'Out of the Blue Radio' (2004-2005). It takes extracts from 44 of these environmental recordings to explore - amongst other things - the way memory works, and how the experience of passing time is constructed. That's subtext. More important, it should make enjoyably complex listening: surprising, serendipitous, mundane but alien - the commonplace transfigured. There and Back Again offers an agglomeration of inadvertent sounds, made haphazardly by the world - and some of its inhabitants, that were never meant to survive, and were certainly not meant to be listened to repeatedly. And yet... Since about a quarter of the locations, though not the extracts are the same as those on 'Twice', reading across the two CDs adds another dimension of listening to the memory puzzle that these fleeting but permanent works explore.

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Frith, Fred: Impur Frith, Fred: Impur
Code:6910
Price: $15.95
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In 1996, at the end of a two year residency, Fred organised an event at L'Ecole Nationale de Musique de Villeurbanne in France involving as many of the students as possible, grouped according to their departments - early music, rock, African drumming, classical &c. Each group was set up in a different room in the school building and during the concert the public was encouraged to wander around creating their own mix, or to sit in the courtyard and listen to the sound drifting out through the open windows. For their part, each group of musicians had to play musical material Fred had prepared for them - occasionally they could improvise. In order to co-ordinate all the groups, who naturally couldn't hear each other, everyone followed a precise time-score prepared by Fred (55 minutes regulated by synchronized stopwatches). The entire event was recorded on 4 A-DAT machines, to be mixed down later, and this CD is the result: a lurching, complex and capricious beast with many heads: an orchestra tuning up; a salute to Sonny Blount; a roiling chaotic mass of sound splitting into layers, colliding back together, pullulating, ululating, roaring and sometimes mewing like a kitten.

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Henry Cow: Concerts Henry Cow: Concerts
Code:6745
Price: $25.95
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Henry Cow: In Praise of Learning Henry Cow: In Praise of Learning
Code:1311
Price: $15.95
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Henry Cow: Leg End (Original Mix) Henry Cow: Leg End (Original Mix)
Code:1304
Price: $15.95
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Henry Cow: Unrest (Remastered) Henry Cow: Unrest (Remastered)
Code:1306
Price: $15.95
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Henry Cow: Western Culture Henry Cow: Western Culture
Code:1312
Price: $15.95
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Picchio Dal Pozzo: Abbiamo Tutti I Suoi Problemi Picchio Dal Pozzo: Abbiamo Tutti I Suoi Problemi
Code:6746
Price: $15.95
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Slapp Happy / Henry Cow: Desperate Straights Slapp Happy / Henry Cow: Desperate Straights
Code:2564
Price: $15.95
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The Work: See The Work: See
Code:7781
Price: $16.95
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SEE was the final The Work album to be issued during the band's lifetime. It showcased some of the very best material of their later years, and a penchant to move into a different, more mature setting. The electronic experimentation here perfectly meshes with post-punk appeals and terrorist-like energy, giving the listener plenty of reasons to be drawn-in to their psychotic world of extremes. Each instrument plays perfectly off of the others to send everything, "somewhere else", whilst somehow holding together perfectly amidst some fiendish, "white knuckler" time relations. Though the vocals on this album were more "sung" that "shrieked" (as evidenced on their earliest recordings), the instrumental parts, especially the drumming, keep the group in line with its radically apparent love for showcasing a primal approach. This has been out-of-print for a number of years, so it's great to have it back again.

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The Work: The 4th World The Work: The 4th World
Code:7782
Price: $16.95
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THE 4th WORLD is the band's long-lost, never before issued, very last album, from 1994. Succeeding "SEE" by some two years, it shares that album's aesthetics and approach - an economy of means, and superior song-writing/ playing - even when compared to their earlier albums. One wouldn't guess it was recorded live at a gig in Breisgau, because the sound is, quite honestly, superlative, and is even better than any of their studio albums. The original, mono recordings (by Volkmar Miedtke) were meticulously reprocessed into stereo years later by Udi Koomran, and the sound has really been, "opened up". The playing itself is also powerful and thoughtful. Especially important is the fact that only two of the twenty songs on this disc were released on previous albums, thus making The Work's entire catalog finally complete, and now wholly in print.

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VRIL: The Fatal Duckpond VRIL: The Fatal Duckpond
Code:7700
Price: $15.95
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After a break of six years, Chris Cutler, Bob Drake and Lukas Simonis, now with added ingredient Pierre Omer, present the second volume of recordings by the elusive VRIL - a band who revive and update both the great institution of the guitar instrumental and the now sadly neglected practice of collective arrangement, intense rehearsal and live studio performance. Appropriate to the half century that has passed since the birth of the form, these hits dodge about, get bored easily and blend both concentration and complexity with the still indispensable traditional qualities that made the genre great: hummability, crafted sounds, nifty arrangements, ridiculous gimmicks and ensemble playing. 'Neither tribute nor parody, these enigmatic pieces are never more nor less than exactly what they are'.... wrote Lothar Preen in his Melbourne concert review....'but perfectly realised'. With film stills, misleading sleeve-notes and storyboard by the Diogenesian recluse Frank Key.

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