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Henry Cow: Unrest (Remastered) Henry Cow: Unrest (Remastered)
Code:1306
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Henry Cow: Western Culture Henry Cow: Western Culture
Code:1312
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Hodgkinson, Tim: Pragma: New Works Hodgkinson, Tim: Pragma: New Works
Code:879
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Hodgkinson, Tim: Sang Hodgkinson, Tim: Sang
Code:878
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Ilaiyaraaja: Ilaiyaraaja's Music Journey Ilaiyaraaja: Ilaiyaraaja's Music Journey
Code:2743
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Ilaiyaraaja: Wings Ilaiyaraaja: Wings
Code:2576
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Iolini, Robert: Songs from Hurt Iolini, Robert: Songs from Hurt
Code:2658
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Iolini: Electroacoustic, Chamber Ensemble, Soundscapes & Works for Radio Iolini: Electroacoustic, Chamber Ensemble, Soundscapes & Works for Radio
Code:867
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Jauniaux, Catherine With Hodgkinson, Tim: Fluvial Jauniaux, Catherine With Hodgkinson, Tim: Fluvial
Code:5342
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This is the first digital issue of Belgian songsmith Catherine Jauniaux's classic recording from 1983. Her main co-conspirator is Tim Hodgkinson (Henry Cow, The Work, God, K-Space), himself a mainstay in the world of modern, experimental music.Together they perform a work which defies both categorization and genre labeling, offering up almost as many different styles of music as the instruments that played them. Besides capturing what could arguably be Catherine's most unique and auspicious vocal work, this disk also displays an amazing amount of baffling, scored percussion by Tim H. and some timeless and perfectly intonated performances by the late, great master cellist, Tom Cora. Other guests include Georgie Born (Henry Cow, I.O.U), Charles Bullen (This Heat), Lindsay Cooper (Henry Cow, Comus), Bill Gilonis (The Work, The Lowest Note) and Dominic Weeks (Het).

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Jon Rose: Rosin Jon Rose: Rosin
Code:7808
Price: $46.95
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To mark Jon Rose's 60th birthday, we are releasing this 3 CD box of previously unreleased works ranging from radio documentary and radio fiction to virtuoso performances - taken from all manner of contexts, using both the acoustic violin and the hyperstring interactive bow system. There's a remarkable improvised violin concerto (the rest of the mini-orchestras's parts are written out), as well as collaborations with Australian locals (multiple brassbands, musical whips, lounge pianists, aboriginal choirs, orchestrated corrugated iron, musical gum leaves, auctioneers, chainsaws, singing dingos, bowed saw orchestras, and so on). There's a duo with George - an Albert's Lyrebird, and concerts with contemporary ensembles and heavy earthmoving equipment. It comes accompanied by a great deal of extraordinary film - and some purely audio - material collected together on a supplementary data disc. Plus there's a generous booklet of texts, documents and photographs and, of course, a souvenir sample of bow-hair.

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K-Space : Going Up K-Space : Going Up
Code:5337
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Gendos Chamzyryn – Tim Hodgkinson – Ken Hyder
For "Going Up" these musicians have superimposed performances from different occasions and places, some dating back to Hyder and Hodgkinson's initial trip to Siberia in 1990, but also concerts staged in Western Europe. These recordings, with their disparate acoustic properties, are overlaid and overlapped to form dense sonic thickets alive with action and event, palpably embedded in the multi-idimensional flux of the world and lived social structures. Human voices conversing, footfalls on frozen ground, a blackbird singing, the sound of the wind or water, the crackling of wood in a fire, audience applause - sounds from specific sites with their own peculiar resonance and significance leak through the K-Space mesh into the listening present.

The crucial thing is to hear and feel it. It's made for those of us who want listening to remain a real adventure and an ongoing process of discovery."-Julian Cowley-Wire Magazine

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K-Space: Infinity K-Space: Infinity
Code:7606
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COMPUTER ONLY DISC (PC or MAC) that re-composes all musical parameters when loaded + 4 Quicktime movies + full-color photo album



A new, revolutionary album which is different every time you play it has been created by Tim Hodgkinson, Ken Hyder and Gendos Chamzyryn.

At a time when the music industry is making a dramatic shift from CDs to downloads, K-Space's Infinity presents a different option. First of all, this disk plays on a computer, not a CD player. And this is a whole piece of work - you can't download tracks from it. In fact the disk contains software that performs the 'pieces' on the album differently every time you play them. These performances are in no way random and this has nothing to do with shuffle-culture. The software is specially programmed to make choices from the available material. Furthermore you can't pause or fast-forward this album: the music is indivisible, and you can only turn it on or turn it off. In fact everything that happens is there to create a special listening experience... The sensation for the listener is of being in one space which encompasses different locations and different moments in time. And each space is different each time the piece is played. On the same disc, there's also 4 videos of the band, and a full-color photo album.

Faust's Jean-Hervé Peron says: "Great great piece of work on the musical/spiritual level as well as this very ingenuous technological twist: you buy one cd and you get x-times the length of always good music ! A genius strike ! And magic...... it is always new.. I was UP UP AND AWAY !!"



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Kalahari Surfers: The 80'S / Volume 2 Kalahari Surfers: The 80'S / Volume 2
Code:5111
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ReR released the first installment some years back; Here then (finally) is the remainder, aptly called, Volume 2. This disc completes the digital collection of songs from "BIGGER THAN JESUS" (named after the famous, John Lennon indiscretion) and its predecessor, "SLEEP ARMED". Since these are the 2 best Surfers records, this one's a no-brainer. Already a classic.

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Kampec Dolores: Sitting on the Buffalo Kampec Dolores: Sitting on the Buffalo
Code:885
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Kodjabashia, Nikola: Explosion of a Memory Kodjabashia, Nikola: Explosion of a Memory
Code:7769
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Performed by the Macedonian Symphony Orchestra with Balkan electro legend Kiril Dzajkovski, Chris Cutler (percussion), Nikola Kodjbashia (prepared piano), Patric Driver and Valere Novarina (readers). Text fragments are by Heiner Muller and Valere Novarina.

A four-dimensional explosion in which stretches of Baroque, folk themes and Byzantine liturgy exist contemporaneously with modern and post-modern materials - much as strata emerge where tectonic plates fold one time over another - settling eventually into long, beautiful, tonal stretches, lighter than air, that drift and attenuate to reveal, dreamily, the old simplicities. Immersive, timeless and unmistakably new, this music respects but definitively breaks with existing schools to explore instead its own geographically unique influences and contradictions.

'Explosion of a Memory' is a homage to my literary heroes: James Joyce, Heiner Muller, Valere Novarina, William Gibson, Euripides and Colin Teevan; it's also a deeply personal epic about the complex relationship between childhood myths, history and perpetual homecoming'. NK it."



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Kodjabashia, Nikola: Reveries of the Solitary Walker Kodjabashia, Nikola: Reveries of the Solitary Walker
Code:2568
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Performed by the Macedonian Symphony Orchestra with Balkan electro legend Kiril Dzajkovski, Chris Cutler (percussion), Nikola Kodjbashia (prepared piano), Patric Driver and Valere Novarina (readers). Text fragments are by Heiner Muller and Valere Novarina. A four-dimensional explosion in which stretches of Baroque, folk themes and Byzantine liturgy exist contemporaneously with modern and post-modern materials - much as strata emerge where tectonic plates fold one time over another - settling eventually into long, beautiful, tonal stretches, lighter than air, that drift and attenuate to reveal, dreamily, the old simplicities. Immersive, timeless and unmistakably new, this music respects but definitively breaks with existing schools to explore instead its own geographically unique influences and contradictions.



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Kovak, Boris: Ritual Nova I & II Kovak, Boris: Ritual Nova I & II
Code:855
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Lagos / Venosta / Mariani: Electronic Adventures in Flamenco Lagos / Venosta / Mariani: Electronic Adventures in Flamenco
Code:883
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Les 4 Guitaristes de L'apocalypso-Bar: World Tour 1998 Les 4 Guitaristes de L'apocalypso-Bar: World Tour 1998
Code:864
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Lingam: Musiche Per un Film Immaginario Lingam: Musiche Per un Film Immaginario
Code:2745
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Lussier / Derome / Cutler: Three Pieces Suite Lussier / Derome / Cutler: Three Pieces Suite
Code:872
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MCCB (Mass Culture Control Bureau...): ...Things From The Past MCCB (Mass Culture Control Bureau...): ...Things From The Past
Code:5341
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This disk compiles the entire back catalog and previously unreleased recordings of the combined Dutch/English underground label, MCCB (1978-82), and marks the first time any of these works have been issued on compact disk. Great efforts were made to locate, restore & re-master the original tapes, and the entire process was personally overseen by MCCB's chief, the legendary musician/singer Geoff Leigh. Under the auspices of The Black Sheep, Kontakt Mikrophoon Orchestra and Red Balune, Geoff is joined by long-time affiliates Loek VanSaus, Colin McLure and Kathy Williams. This is "pop" music gone terribly right for a change, where imagery supersedes fashion, and sound knows no rules. Features cameo appearances by members of Henry Cow: Fred Frith, Tim Hodgkinson and Chris Cutler.

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MacLean, Steve Ensemble: The Opposite of War MacLean, Steve Ensemble: The Opposite of War
Code:881
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An interesting and innovative ensemble (keyboard, bass, drums, guitar) with a chamber approach. Nothing aggressive or flashy, no electronics or noise, but carefully composed, cleanly performed pieces which play with complexity concealed inside simplicity. Outwardly simple and engaging, it holds attention through ingenious use of overlain time relations, additive rhythms and metric shifts. Subtle but very strong. Recommended.

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MacLean, Steve: Bridges MacLean, Steve: Bridges
Code:7466
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These recordings collect together works spanning two decades of composition and experimentation that balance traditional musical resources (the band, compositional skills, instrumental techniques, acoustic and amplified instruments) and the new technologies (computers, software, processing). The first CD showcases polyrhythmic, careful compositions (like those on his last ReR CD, Opposite of War), which still no-one has tried to emulate. The second is more meditative, abstract and electronic, moving from Kora through electric and acoustic guitars - with and without radical effects processing - to piano and virtual orchestra, putting various softwares through their paces.

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MacLean, Steve: Expressions on Piano MacLean, Steve: Expressions on Piano
Code:7770
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A remarkable set of pieces for mediated acoustic piano that operates in the shadowy territory between what is playable and what is programmable; between narrative simplicity and performative complexity; between hopeful intetionality and flawless execution.. Unusually, Steve has put our ear right inside the piano, sans artificialreverberations and blurring tools and, over the course of the CD, various musical dialects are explored and extended - from the plausible, through the exquisite, to the impossible.

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MacLean, Steve: GPS MacLean, Steve: GPS
Code:7790
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Careful compositions converse with focused improvisations under the precise direction of Steve MacLean who, on this CD, after various excursions that took him through experimental works for piano, interactive insect/guitar compositions and pure electronics, returns to a performing band and a journey through complex polyrhythmic compositions imaginatively intercut with careful, atmospheric inventions, for guitar, bass, keyboard, percussion and various objects.

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Marclay, Christian: More Encores Marclay, Christian: More Encores
Code:854
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Martusciello, Elio: Unoccupied areas Martusciello, Elio: Unoccupied areas
Code:2614
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Massacre: Killing Time Massacre: Killing Time
Code:5281
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Minton, Phil with Veryan Weston: Past Minton, Phil with Veryan Weston: Past
Code:2575
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Mir: Shock Your Money Maker Mir: Shock Your Money Maker
Code:7809
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Mir, a final bastion of noise, has been working hard throughout Europe since their inception in 2005. Stylistically, they work in the sonic worlds somewhere between the primordial oozings of Industrial Rock, No Wave, Japan Noise, Anarchic Grind and Drone. This live album was recorded in Basel, Switzerland, and then produced and mixed by Alex Buess (God, Ice), who got some fairly strange press opinions from the pre-release demos he sent: "Perfect dance music for Klingons"..."Experiments in terror"...."Like a road trip through a Napalm ravaged tea plantation"... While such hyperbole is usually associated with conceptual over- indulgence and is mostly unjust, in the case of "Shock Your Money Maker" this simply does not ring true. The road that this band has embarked upon is truly unique and bizarre because, against all odds, it manages somehow to re-asses the term, "experimental".

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Mnemonists: Gyromancy Mnemonists: Gyromancy
Code:2580
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Mnemonists: Horde Mnemonists: Horde
Code:690
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Moore, R. Stevie: Phonography Moore, R. Stevie: Phonography
Code:7711
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"Phonography was Stevie's first LP release, and an out-of-the-blue masterpiece: terminally idiosyncratic but with all the compositional qualities of great pop. A gifted songwriter, R Stevie (son of Bob Moore, Elvis' bassist) grew up and was steeped in Nashville's countrypolitanism; but, as a recidivist rebel, he inevitably slipped into strange byways, following his own, unique path into celebrated obscurity - as this strange and compelling record attests.

Hans Arp said, 'My paintings are like fingernails: they keep growing and I keep cutting them off'. R Stevie's songs seem to follow the same rule. They create worlds, tell stories, trifle wantonly with form, harmony, structure and execution, and throw off passages of casual brilliance on the way. Lo-fi is integral to its purpose. You can't pay to get a sound like that.

So, when nobody seemed to want to keep Phonography in print, ReR Megacorp were happy to oblige - it's history. We took the opportunity to re-master and restore it to its original form."



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Musci / Venosta: Noise, A Sound Musci / Venosta: Noise, A Sound
Code:871
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Musci, Roberto / Cutler, Chris / Rose, Jon / Gabbiano, Claudio: Steel Water Light Musci, Roberto / Cutler, Chris / Rose, Jon / Gabbiano, Claudio: Steel Water Light
Code:772
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Musci/Venosta: Messages & Portraits Musci/Venosta: Messages & Portraits
Code:2573
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N.I.M.B.Y.: Songs For Adults N.I.M.B.Y.: Songs For Adults
Code:5336
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James Grigsby – Bob Drake – Jerry Wheeler – Dave Kerman
"Not In My Backyard" (NIMBY)is James Grigsby (of the legendary Motor Totemist Guild) and left-field luminaries from Thinking Plague, Hail, The 5UUs and Giant Ant Farm. The official story is that an electrical storm temporarily deranged their faculties while leaving their musical abilities unaffected, leading to this unaccountable recording, made more or less live in a barn in Southern France, with only a handful of overdubs (mostly vocals & some soloing) added by engineer and bassist Bob Drake at the mixing and mastering stage. Instead of making the cutting edge contemporary post rock record they planned, they wound up musically reverting to their youth while mentally indulging in the whiny frustrations of middle age. Could it be worse? Yes. This is not just an album of songs, it's a concept album and it documents what happens when a bunch of spoiled baby-boomers - mostly from Southern California - get old & grumpy.

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N.O.R.M.A + Cutler, Chris: L'Arpa e L'Asino (The Harp and the Donkey) N.O.R.M.A + Cutler, Chris: L'Arpa e L'Asino (The Harp and the Donkey)
Code:869
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Necks, The: Aether Necks, The: Aether
Code:1143
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Necks, The: Chemist Necks, The: Chemist
Code:6335
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Necks, The: Drive By Necks, The: Drive By
Code:2372
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Necks, The: Hanging Gardens Necks, The: Hanging Gardens
Code:1435
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Necks, The: The Boys Necks, The: The Boys
Code:2567
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News from Babel: News from Babel Box News from Babel: News from Babel Box
Code:6782
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Ossatura + Hodgkinson, Tim: Dentro Ossatura + Hodgkinson, Tim: Dentro
Code:888
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Ossatura: Verso Ossatura: Verso
Code:1302
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P53: P53 - Cutler, Chris / Glandien, Lutz / Goyette, Marie / Krauze, Zygmunt / Yoshihide, Otomo P53: P53 - Cutler, Chris / Glandien, Lutz / Goyette, Marie / Krauze, Zygmunt / Yoshihide, Otomo
Code:782
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Paolo Angeli: Sale Quanto Basta Paolo Angeli: Sale Quanto Basta
Code:7807
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Welcome to Paulo's sixth release for ReR, an extraordinary collection of pieces that explore the full range of his highly modified, extended and prepared Sardinian guitar. And although it's just him and electricity, it seldom sounds like fewer than three people playing. There are twelve fine compositions, each as crafted as a short novel, and beautifully recorded. Paulo's is a music that pretty much defies genre or category; accessible, experimental, tuneful, tactile and ambient - with a folk root, a rock inflection and a contemporary outlook.

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Peltonen, Aki: Radio Banana Peltonen, Aki: Radio Banana
Code:2660
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